B.E.
And here are some of the chain-link fence secret insertions i was doing. They are photographs i took of the sky, cut up and wired to fences in my neighborhood. I tried to find spaces that were more public than private, run-down or deteriorating, but would still be seen by locals on a fairly regular basis. I think i was thinking of them as little treasures that i wanted to share with my neighbors, insert a little sunshine. It sounds pretty cheesy, but when it had previously been suggested that i erase from my neighborhood, i looked around and realized that my neighborhood is already erasing itself. So i wanted to make a positive, if somewhat abstract, addition. Interestingly, many of them were taken down when i went back to photograph, so i was essentially erased. And others are still up, through all the rain and wind, and in one case building construction.
I also like the idea of mysterious public art. I did these at four or five in the morning, hoping to not be detected. I wonder if they are even noticed, and if so what the non-art-school public thinks when they see them.
Anyway, i am somewhat back in my studio, and after clean-up and throwing out a lot of damaged stuff, i'm trying to get back on track. My momentum took a beating, but i'm getting back into the groove of experimenting with materials and processes, guided just vaguely by the concepts i was working with. Mirrors and reflective surfaces, repetition, and accumulation are a couple threads. Also that hexagon pattern is coming back strong, for some reason. I'll take photos next week and post them.
I'm going to NYC for a weekend packed with art. I'm super excited to see the Eva Hesse shows, also On Photography at the Met (i just read the book last week), and many others. I can't wait. It's a good sign when you think every show and artist you hear about has work related to what you're doing...right?